シネプラネット／リチャード・ギア6

No.2

キャサリン・ゼタ＝ジョーンズ

1.『シカゴ』の感想は？
2.２日目の出来事とは？
3.彼女が鍛えたのは？
4.コスチュームの感想は？
5.照明係がしたことは？
6.ショービジネスの世界？
7.今まで嫌だったことは？
8.若い頃はどんな少女？
9.女優への野心の源は？

リチャード・ギア

1.タップダンスは難しい？
2.歌い方に変化は？
3.個人的な生活は大切？
4.ショービジネスって？
5.子供と共演するのは？
6.映画化の秘訣は？

次回は（映画『マトリックスリローデッド』から）キアヌ・リーヴス です。お楽しみに!

Chicago

（2003年・米国）

［リチャード・ギアのinterview］

舞台で演じられていたミュージカルを映画化するための工夫は？

※チャンクは意味のかたまりごとに／で区切ったものです。

Question:
Were you surprised at how well this play adapted to the screen?

Richard Gere:

Windows Media Player 56k

Well, it's obviously a big problem. If you've ever seen the stage production you say, "How are they going to do that?" And I certainly felt that way until the script arrived. It was Rob's idea. Rob knew clearly how to do it. It's meant for the vaudeville stage. Where do you put the stage? His solution was to put the vaudeville stage in her mind, and it was just so smart and perfect and you see how seamless it is in the movie. It's very clear. It's not intrusive, but it makes you feel you're dealing with multi-layers of emotional reality, which you are. Because they're usually not telling the truth. You're seeing her emotional truth based on her needs, but not an objective truth. So I think it's really smart and fun to see that.

※インタビューはトランスクリプション(音声を文字化したもの)です。